The music of Cipriano De Rore
Hodie Christus natus est
A. Type:
Motet
B. Number of voices:
6vv
Ct. Text:
: Read
E. To be found in the following score sources:
following: CMME Project(The) - Dumitrescu (e.a.), Theodor :
-
{Census} - ParisBNC 851 ("Bourdeney Manuscript")
: '{Census} - ParisBNC 851 ("Bourdeney Manuscript")'
following: Collins Judd, Cristle (2000) :
-
1560, circa ) (source: OwensM) :
{Census} - ModE C.314
: '{Census} - ModE C.314'
following: Meier, Bernardus (1975) :
-
1559 :
BSB Mus.ms. B(1 (1559)
: 'BSB Mus.ms. B(1 (1559)'
following: Owens, Jessie Ann (2001) :
-
1580 :
{RISM} - 1580_04
: 'Theatri musici selectissimas Orlandi de Lassus aliorumque praestantissimorum musicorum. Cantiones sacras, quatuor, quinque et plurium vocum, repraesentantis. Liber secundus.'
F. Modern score:
See 'Meier, Bernardus : Cipriani Rore Opera Omnia, Vol VI : Motets' : p.83
Contents of this volume of Meier
American Institute of Musicology : Uitgave De Rore (B. Meier)
I. Incipit:
Source:
'Meier, Bernardus : Cipriani Rore Opera Omnia', American Institute of Musicology
J. Discography:
1 - '
Cipriano de Rore : Motets Sacres et Profanes (Weser Renaissance)
, Weser Renaissance, Manfred Cordes (CPO)
2 - '
Münchner Weihnachtsmusik des 16 Jahrhunderts - Der Tag Der Ist So Frewdenreich
, Die Gruppe für alte Musik München, Martin Zöbeley (Ars Musici)
3 - '
Weihnachts-Klassik (box 10 cds)
(Ars Musici)
L. References:
References with citation/remark:
1 : Owens, Jessie Ann,
Cipriano De Rore (The New Grove)
(, 2001)
in : Grove Dictionary of Music and Musicians, The New -, (NG), Second Edition (published in twenty-nine volumes in the year 2001), Edited by Stanley Sadie, Executive Editor John Tyrell, (2001)
: 'As in his madrigals, de Rore’s preferred ensemble was for five voices, the majority of which employ low clefs or low equal voices. The six- and seven-voice pieces are the special, large-scale antiphon settings employing two or three voices in canon that frame the Munich manuscript: Descendi at the beginning, Hodie Christus natus es, Ave regina caelorum, and Quem vidistis at the end.'
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